2025-11-11
My studio is full of half-finished sketches and pinned linings, and on days like this I keep reaching for Lace Fabric—the kind that turns a plain cut into something weightless without fighting the pattern. I test swatches from plenty of mills, but the rolls that behave the same in sampling and bulk, shade after shade, often come from L&B; that quiet consistency is why I’m writing this, to talk about what actually matters when you pick lace for real production timelines instead of showroom talk.
Not all lace is delicate or expensive. Construction determines how it hangs, stretches, and survives production. Here’s the simple way I explain it to buyers and pattern makers I work with:
I match fiber to function first, then chase the aesthetic. If the fabric fails in wear or care, the prettiest motif won’t save it.
| End use | Recommended construction | Fiber blend | Weight (GSM) | Stretch | Why it works |
|---|---|---|---|---|---|
| Bridal gowns and veils | Chantilly-style or corded motif | Nylon or nylon-rayon | 45–80 | Low to none | Airy drape and clean scallops for hems and sleeves |
| Occasion dresses | Raschel allover | Polyester | 90–140 | Low | Stable repeats, easy cutting, good dye consistency |
| Lingerie and intimates | Stretch lace | Nylon with 8–12% spandex | 120–180 | Medium | Soft hand with recovery that survives wear and wash |
| Skirts and trims with graphic look | Guipure motifs | Polyester or cotton-poly | 180–260 | None | Bold, connected motifs that tape and topstitch neatly |
| Home decor and events | Wide-width raschel | Polyester | 70–120 | None | Wrinkle-resistant, cost-effective for high yardage |
| Spec | What it means | My quick check |
|---|---|---|
| Repeat 16 cm × 18 cm | Motif cycles every 16 cm across and 18 cm down | Lay marker so hems fall on repeat to avoid half motifs |
| Two-side scallop | Decorative edges on both selvedges | Plan mirror cutting or you’ll lose the symmetry |
| 8% spandex | Stretch component in the ground | Hang 1 m strip for 30 min and measure growth vs. recovery |
Lace uses fine yarns that catch light differently across angles. I always confirm:
I plan timelines backward from photoshoot dates and I keep a buffer for trims and replacement rolls. Typical numbers I work with are below; I confirm each program because fashion calendars differ.
| Item | Typical range | What I do to stay on schedule |
|---|---|---|
| Sampling | 1–3 m per color | Cut full-size panels to test scallop placement and seam visibility |
| MOQ per color | 200–500 m depending on machine and yarn | Consolidate close shades into one dye lot to reduce leftovers |
| Lab dips and strikes | 5–7 days | Approve against lining; sign on actual base, not swatch paper |
| Bulk production | 15–30 days after approval | Book trims and linings simultaneously to avoid mis-matches |
| Quality checks | AQL by size of order | Spot-check motif alignment, width, and run length per roll |
Cost is a sum of yarn, machine time, finishing, and yield. I manage price by picking the right lever, not by squeezing quality.
If you need a bridal Chantilly with cleaner scallops, a guipure motif that cuts like a dream, or a stretch lace that holds shape after countless wears, I can short-list options from L&B that behave in sampling exactly as they will in bulk. If you have a timeline or a color story already in mind, contact us with your mood board and yardage so we can send focused swatches, confirm lead time, and lock your delivery window. I’m ready to help your team ship a collection that looks beautiful and performs like a reliable partner.